Not only does the city appear illustrated (drawn and painted) and animated, but the whole environment has an imaginary, fantasy, almost dreamlike atmosphere. Īn aerial view of Toontown, showcasing a very tall apartment complex The total population of the city is not widely known, nor its area.Īt one point a non-anthropomorphic airplane can be seen, revealing that the city of Toontown has at least a few airports. At the time of the film, Toontown's look is that of a city in the 1940s. However, the same cannot be said for Toon-based objects, such as the Punching Glove Mallet (a mallet/boxing glove combo weapon that Eddie uses to aim for the Dip sprayer when fighting against Doom). Real foreign objects have also been known to become animated once being exposed to the Toon environment. In Who Framed Roger Rabbit, the whole city of Toontown is cartoonish, except for anything foreign to it such as people and objects from the real world, outside of it. However, after showing the eyes of his Toon form to Eddie, revealing who he was, his plan on bulldozing Toontown was put to an end.Ī street in Toontown's downtown area take note that the buildings are not anthropomorphic in this scene Maroon (owner of Maroon Cartoons) for almost revealing his plans to Eddie Valiant, the brother of Theodore Valiant, whom he killed five years before. The interdimensional barrier is so thin that you can very easily do both of these things.ĭoom later murdered R.K. Drive or walk across this meadow and you head to Toontown. It can be accessed via a tunnel just outside of Los Angeles as well as right behind the Acme Warehouse first, though is a Toon meadow with occasional anthropomorphic plants and trees, and a smiling Toon sun. In order to accomplish this, he murdered Marvin Acme (owner of the Acme Corporation and Toontown) who was going to give the ownership of the city to the Toons with his will, with Toontown having been originally painted in his backyard to give the Toons a home. Toontown is a city near Los Angeles, California where animated characters, also known as Toons, live.Īround 1947, it was the target for Judge Doom who planned on destroying it in order to replace it with his own new freeway via his company Cloverleaf Industries. If you just had a flashback to the eerie, uncanny CGI used to bring the late Harold Ramis to life as a ghost in "Ghostbusters: Afterlife," you have my sympathies.“ What's wrong with Toontown? Every Joe loves Toontown!” ―R.K. Even Hoskins' death in 2014 wasn't enough to extinguish Zemeckis' enthusiasm for the "Roger Rabbit" sequel, which he's described as "moving on from film noir to the world of the 1950s." He's also mentioned the idea of bringing back Eddie as a ghost. As his comments here illustrate, the director has become far more invested in the technical side of filmmaking than storytelling (or even just saying something of personal meaning) in the 21st century, to the degree that most of his films nowadays come across as a glorified excuse for him to play with his shiny new toys. Perhaps it's for the better that Zemeckis' version of "Roger Rabbit 2" hasn't happened yet. "I'm really committed to getting this art form off of the ground, but of course, I would and I'm never going to say never to anything, but right now though I really want to make sure that we get this out there so that younger filmmakers have these absolutely breathtaking tools that they can use." Yet, to this day, the dark ride Roger Rabbit's Car Toon Spin is a mainstay at Disneyland, and even the nightmare-inducing Judge Doom showed up during the 2023 Oogie Boogie Bash in Disney California Adventure. 35 years later, though, Roger Rabbit has yet to return to the silver screen, save for his appearances in a handful of theatrical shorts made in the late '80s and early '90s. With Zemeckis operating at the height of his powers, "Roger Rabbit" moves like clockwork, serving up a mystery that's not only a playful homage to the works of Raymond Chandler and Dashiell Hammett, it's also a dynamite blend of intrigue and social commentary in its own right.Īfter "Roger Rabbit" grossed $351 million against a $70 million budget and took home a trio of Oscars (including one for its ground-breaking visual effects), you can bet your cartoon booties - preferably the un-Dipped variety - Disney wanted more. The result? An incredible visual feat by way of a detective yarn based in a fantasy version of '40s Los Angeles where "toons" from the Golden Age of American Animation walk alongside flesh-and-blood humans.
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